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・ Alessandro Duè
・ Alessandro D’Errico
・ Alessandro Elia
・ Alessandro Evangelisti
・ Alessandro Fabbro
・ Alessandro Fabian
・ Alessandro Faedo
・ Alessandro Fantini
・ Alessandro Faria
・ Alessandro Farina
・ Alessandro Farnese
・ Alessandro Farnese (cardinal)
・ Alessandro Fattori
・ Alessandro Favalli
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Alessandro Fei (painter)
・ Alessandro Fei (volleyball)
・ Alessandro Felipe Oltramari
・ Alessandro Ferrara
・ Alessandro Ferreira Leonardo
・ Alessandro Ferrero La Marmora
・ Alessandro Ferri
・ Alessandro Fersen
・ Alessandro Figà Talamanca
・ Alessandro Florenzi
・ Alessandro Focosi
・ Alessandro Foglietta
・ Alessandro Fortis
・ Alessandro Franchi
・ Alessandro Franchi (cardinal)


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Alessandro Fei (painter) : ウィキペディア英語版
Alessandro Fei (painter)

Alessandro Fei (1543–1592) was an Italian painter active in Florence, working in a Mannerist style. He was also called il Barbiere (the Barber). He participated in the Vasari-directed decoration of the Studiolo of Francesco I with an oval canvas relating a ''Goldsmith Shop'' story. He also painted an altarpiece on the ''Flagellation of Christ'' for the Basilica church of Santa Croce in Florence.
Trained under Ridolfo del Ghirlandaio. Piero Francia, and under Tommaso Manzuoli, better known as Maso da San Friano, Fei became a member of the Accademia dell’Arte e del Disegno in Florence in 1563 and was a trusted assistant of Giorgio Vasari up until 1574. The artist spent most of his career in Florence, except for a trip to Rome at the side of the Aretine painter to decorate the Vatican chapels of Pope Pius VI.
== Works ==
His most famous works included ''The Goldsmith's Workshop,'' an oil-based painting, ''The Virgin and Saints'' and his five stone tiles ''The Life of the Virgin''.

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